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History of Textile Industries in Bangladesh

Thursday, 16 January 2014

History of Textile Industries in Bangladesh
Afsana Mishu
KCC Women’s College (Affiliated by Khulna University)
Khulna, Bangladesh
Email: afsana_mishu@yahoo.com





Introduction:
The textile and clothing sector is the largest manufacturing activity in Bangladesh. It provides direct employment to about than 5 million people, which accounts for 45 per cent of all industrial employment in the country. The textile and clothing (T&C) industries provide the single source of economic growth in Bangladesh’s rapidly developing economy. Exports of textiles and garments are the principal source of foreign exchange earnings. This sector not grow up in a day. It has a long history which is highlighted in below.

Post 1971 
From 1947 to 1971 the textile industry, like most industries in East Pakistan, was largely owned by West Pakistanis. During that period, in the 1960s, local Bengali entrepreneurs had set up their own large textile and jute factories. Following its separation from East Pakistan the newly formed Bangladesh lost access to both capital and technical expertise.

Until the liberation of Bangladesh in 1971, the textile sector was primarily part of the process of import substitution industrialization to replace imports. After the liberation, Bangladesh adopted export-oriented industrialization (EOI) by focusing on the textile and clothing industry, particularly the readymade garment (RMG) sector. Immediately after the founding of Bangladesh (1971), tea and jute were the most export-oriented sectors. But with the constant threat of flooding, declining jute fibre prices and a significant decrease in world demand, the contribution of the jute sector to the country’s economy deteriorated

Post 1972 
In 1972 the newly formed government of enacted the Bangladesh Industrial Enterprises (Nationalisation) Order, taking over privately owned textile factories and creating a state-owned enterprise (SOE) called Bangladesh Textile Mills Corporation (BTMC). President Rahman promoted democracy and a socialist form of capitalism. The BTMC never managed to match the pre-1971 output and in every year after the 1975–1976 fiscal years, lost money. Until the early 1980s, the state owned almost all spinning mills in Bangladesh and 85 percent the textile industry’s assets (not including small businesses). Under the 1982 New Industrial Policy (NPI) a large number of these assets including jute mills and textile mills were privatized and returned to their original owners.
Fig: Clothing industry in Bangladesh
Post 1974 
In the devastating famine in 1974, one million people died, mainly of starvation caused in part by the flooding of the Brahmaputra River in 1974, and a steep rise in the price of rice. Partly in response to the economic and political repercussions of the famine, the Bangladesh government shifted public policy away from its concentration on a socialist economy, and began to denationalize, disinvest and reduce the role of the public sector in the textile industry while encouraging private sector participation. The 1974 New Investment Policy restored the rights to both private and foreign investors. Bangladesh’s development model switched from a state-sponsored capitalist mode of industrial development with mainly state-owned enterprises (SOE) to private sector-led industrial growth.

Global restructuring processes, including two non-market factors, such as quotas under Multi-Fibre Arrangement (MFA) (1974–2005) in the North American market and preferential market access to European markets, led to the “emergence of an export-oriented garment industry in Bangladesh in the late 1970s and ensured the garment sector’s continual success.
Fig: Growth in clothing industry in Bangladesh
The garment industry in Bangladesh became the main export sector and a major source of foreign exchange starting in 1980, and exported about $5 billion USD in 2002. In 1980, an export-processing zone was officially established in at the port of Chittagong.

By 1981, 300 textile companies, many small one had been denationalized often returned to their original owners. In 1982, shortly after coming to power following a bloodless coup, President Hussain Muhammad Ershad introduced the New Industrial Policy (NPI), most significant move in the privatization process, which denationalized much of the textile industry, created export processing zones (EPZs) and encouraged direct foreign investment. Under the New Industrial Policy (NPI) 33 jute mills and 27 textile mills were returned to their original owners.

The export of ready-made garments (RMG) increased from $USD 3.5 million in 1981 to $USD 10.7 billion in 2007. Apparel exports grew, but initially, the ready-made garments RMG industry was not adequately supported by the growth up and down the domestic supply chain (e.g., spinning, weaving, knitting, fabric processing, and the accessories industries).

From 1995 to 2005 the WTO Agreement on Textiles and Clothing (ATC) was in effect, wherein more industrialized countries consented to export fewer textiles while less industrialized countries enjoyed increased quotas for exporting their textiles. Throughout the 10-year agreement, Bangladesh’s economy benefited from quota-free access to European markets and desirable quotas for the American and Canadian markets.

Table of market share:
Export Market
USA (Textile)
USA (Clothing)
EU (Textile)
EU (Clothing)
Market Share in 1995
4%
3%
Market Share in 2004
3%
2%
3%
4%
 
As the above table shows, the market shares for Bangladeshi textiles in the USA and both textiles and clothing in the European Union have changed during the time period of the ATC.

Until FY 1994, Bangladesh’s ready-made garments (RMG) industry was mostly dependent on imported fabrics-the Primary Textile Sector (PTS) was not producing the necessary fabrics and yarn.

Since the early 1990s, the knit section expanded mainly producing and exporting shirts, T-shirts, trousers, sweaters and jackets. In 2006 90% of Bangladesh’s total earnings from garment exports came from its exports to the United States and Europe.

Although there was concern, noted in an IMF report, that the WTO’s Multi-Fibre Arrangement, the Agreement on Textiles and Clothing (ATC), phase-out would shut down the textile and clothing (T&C) industry, the Bangladesh textile sector actually grew tremendously after 2004 and reached an export turnover of US$10.7 billion in FY 2007. Bangladesh expected to suffer the most from the ending of the MFA, as it was expected to face more competition, particularly from China. However, this was not the case. It turns out that even in the face of other economic giants; Bangladesh’s labour is “cheaper than anywhere else in the world.” While some smaller factories were documented making pay cuts and layoffs, most downsizing was essentially speculative – the orders for goods kept coming even after the MFA expired. In fact, Bangladesh’s exports increased in value by about $500 million in 2006.

By 2005 the ready-made garments (RMG) industry was the only multi-billion-dollar manufacturing and export industry in Bangladesh, accounting for 75 per cent of the country’s earnings in that year.

Bangladesh’s export trade is dominated by the ready-made garments (RMG) industry. Bangladesh’s garment exports – mainly to the US and Europe – make up nearly 80% of the country’s export income. Exports of textiles, clothing, and ready-made garments (RMG) accounted for 77% of Bangladesh’s total merchandise exports in 2002.

Textile exports from Bangladesh to the United States did increase by 10% in 2009. Currently, the textile mills provide 70% of national exports. This proportion is even higher in Bangladesh. In Bangladesh, the number of employed workers in the textile industry increased by 400 000 in 1990 to 2 million in 2004, and the number of enterprises – from 800 to 4000. Nine out of ten people employed in the industry – are women. In general, the state of the textile industry depends on well-being of 10-12 million people in Bangladesh. By IMF estimates, as a result of the abolition of quota. 
 
The Textile and Clothing Sector at a Glance 
Sub-sector
Numberof units
Installed machine capacity
Production capacity
Employment
Textile spinning
350 7.5 million
spindles
(0.2 million rotors)
1,800 million
kg
400,000
Textile weaving
400
25,000
shuttleless/shuttle
loom
1,600 million
meter
80,000
Specialised textile
and power loom
1,065
23,000
shuttleless/shuttle
loom
400 million
metre
43,000
Handloom
148,342
498,000 looms
837 million
metre
1,020,000
Knitting, knit dyeing
2,800
17,000 knit/Dy/M
4,100 million
metre
324,000
Dyeing and finishing
310
1,720 million metre
33,000
Export oriented
readymade garment
(clothing)
4,500
—-
475 million
dozen
2,000,000
Other related sectors
—-
——
——
600,000
 
 

History of Sri Lanka Textile and Apparel Industry

Monday, 16 December 2013

History of Sri Lanka Textile & Apparel Industry
Harshani Wijendra
Sri Lanka Institute of Textile & Apparel Technology (SLITA)
Email: harshani_bipasha@yahoo.com



Introduction:
The Global Textile Industry, particularly the Apparel Industry has seen remarkable changes in the past few years. The Garment Manufacturing Industry and the Garment Companies in developed countries are now always on a lookout for cheap source of garment production. The days are gone when textile garment industry was concentrated in the consumption hubs of US, EU and other developed countries of the world. The clothing wholesale supply is increasing worldwide in all the sectors of the industry, whether it be men’s clothing, women’s clothing, kids wear or infant wear. The elimination of global export quotas has led to a shift towards low cost countries having strong and established Clothing Industry especially the Asian countries. And Sri Lanka is one among those Asian Countries.

As per the Global Textile and Apparel Industry: Vision 2015, World textile and apparel trade is expected to reach US$805bn by 2015 from US$650bn in 2010. At present few countries like Bangladesh, Thailand, Cambodia, Sri Lanka, Pakistan contribute major share in Forex earnings of their country from Textile and Clothing trade, though their share in the world market is not very significant.
Condition of Global Textile Market
History of Sri Lanka Textile & Apparel Industry:
The textile and clothing industry had emerged from a modest beginning in the early 1950s A few pioneering industrialists who started out on an uncertain course at this time , confident their manufacture to only some popular items of garments and catered essentially to local demand. By the end of the 1950’s there was a reversal in policies and the economy moved towards restrictions on imports and a policy of import substitution in industry began to be perused. While the major basic industries were reserved for the state; a wide range of consumer goods industries were opened to the private sector , which was provide with various investment incentives and a protected market. Over the decade of the 1960’s as many as 300 categories of industrial products began to be manufactured locally. Among this range of products a major item was textiles and another readymade garments, though from the outset raw materials required for the garments industry were imported.

It was in the late1960’s that Sri Lanka’s readymade garments began to break into export markets. Sri Lanka’s shirts had found acceptability in markets such as the UK and Soviet Union and a leading shirt manufacture began exporting up to Rs: 2 million worth of product annually to the USSR, within the bilateral trade agreement between Sri Lanka and the USSR.

Around 1972 there was a change in outlook towards the industry as existing policy was altered to allow certain sectors to adapt an export oriented approach. Special foreign exchange allocations and other fiscal and tax incentives were offered to selected export oriented industries under this package. In the first six years of the 1970’s over 2500 industrial units received approval from the Local Industries Approve Committee (LIAC) and of these nearly 2000 were in the product group of Textiles and Textile based industries. By the mid 1970’s wage/ pries inflation and imposition of trade quotas on exports of traditional Asian Suppliers of made-up garments such as Hong Kong , Taiwan, South ,Korea and Singapore made Sri Lanka more attractive location for the industry. New units began to be established in collaboration with foreign capital/marketing, while production was being upgraded through import.

The period after the late 1970s saw a rapid expansion of the clothing industry in Sri Lanka. The impressive growth witnessed during this period can be attributed to two major factors. The first is the market-oriented liberal economic policies introduced in 1977. The market friendly economic reforms, which identified the private sector as the engine of growth, places greater emphasis on the export-led industries.

The second important factor which contributes to the remarkable expansion of the Sri Lanka textile and clothing industry is the Multi Fibre Arrangement (MFA). Sri Lanka is one of the countries that benefited from the quota hopping investments. The overseas manufactures of garment that relocated their production facilities in Sri Lanka include firms from both and Newly Industrialize Countries (NICs) in East Asian and Europe. While the NIC
Sri Lankan Textile & Apparel Industry
Firms moved their operations mainly as a means of “quota hopping” the motivation for producers of countries such as Germany and the UK to move into Sri Lanka was the rising production costs in their home countries. Given the ability to separate to different stages of the clothing industry, these overseas producers were able to disintegrate their production lines into low-cost countries like Sri Lanka without much difficulty. Investments by these two categories of foreign manufacturers fuelled the growth of the Sri Lankan clothing industry to a large extent. In fact, the factories set up as joint ventures and wholly owned foreign companies account for almost half of the total exports earning from garments.

History of Women's Costume: The Crinoline Period (1850-1869)

Tuesday, 22 October 2013

HISTORY OF WOMEN’S FASHION & DRESS: THE CRINOLINE PERIOD C.1850-1869
Jahanara Akter
Lecturer, KCC Womens College,
Khulna, Bangladesh



Fig: The cage Crinoline


Historical Background: The cage crinoline, the major fashion innovation for women in the1850s. During Romantic period, women used to wear Layers of petticoat, sometimes they are use up to six Layers of petticoat. The increasing width of women’s skirts had led to the use of more and more stiffened petticoat. When the hoop skirts of the 18th century were revived to hold out these voluminous skirts, the editor of peterson’s Magazine hailed its revival in September, 1859.This skirts look like a farthingale. But at this time women started wearing farthingale again. The farthingale had changed, its name was called “crinoline”. This was made out of still. A crinoline is a light still frame work covered with fabric to distend a skirt.

Women’s Costume:
Some woman’s costumes are described in below:

1. Undergarments:

Name of costume
Fabric
Pictures of dress
Description
a. Chemise
Cotton or linen
 
A short sleeve, knee length garments, short and full; without much decoration. 
b. Drawers
Cotton, linen or flannel
 
Knee length drawers were trimmed at edges with tucking, lace or embroidery. In winter some women wore colored, flannel drawers for warmth.
c. Camisole
Cotton or linen

 

This waist length a garment was shaped to figure had short sleeve and buttoned down the front.
d. Corset

 
Women were shaped with gores of fabric and inset gussets of elastic. After the introduction of the crinoline, corset shorted, when the crinoline declined, corsets become tighter.  
e. Hoop (cage crinoline)
cotton
 
Steel hoops were sewn onto tapes or fabric skirt. Shapes varied with changes in the fashionable silhouette: 1850s round, 1860s flatter in front and fuller at the back.
f. Petticoats
cotton, flannel
 
A single petticoat decorated with lace, embroidery, or small tucks was placed over the hoop. Additional layers, flannel petticoat worn in winter.

2. Day Time Dresses:
Some woman’s day time costumes are described in below:

a. Bodice:
Fabric: Silk, wool, cotton fabric are used.

Description: Bodice shaping was often achieved through curved seams in back, darts in front. Armholes were placed low on the arm. It is attached by button or hocks.
Fig: Women´s Bodice
b. Neckline:
Fabric: Silk, wool, cotton fabric are used.

Description: Neck lines were high, without attached collars and usually finished in bias piping. Removable, washable collars (and cuff) were usually worn with daytime dresses.
Neckline
c. Sleeves:
Fabric: Silk, wool, cotton fabric are used.

Description: Most common sleeve styles they were use such as: bell-shaped, pagoda shaped, double-ruffles, close sleeve, men’s coat sleeve etc.
Sleeves
d. Blouses :
Fabric: Silk, wool, cotton fabric are used.

Description: Separate blouses were worn with skirts. The Red Garibaldi Blouse was especially popular in the 1860s.
Blouses

e. Skirts:

Fabric: Silk, wool, cotton fabric are used.

Description: In1860s skirts were pyramid shaped.
Fig: Doam and Pyramid shaped Skirt in 1860s
3. Evening Dress:
a. Neckline:
Fabric: Different types of fabric are used.

Description: Different in dresses worn for evening. In the evening time they also wore daytime dresses. Most evening dresses had “off the shoulder” neckline, either straight across or with a dip at the center.
Fig: Off The Shoulder Evening dress for women
b. Sleeve:
Fabric: Different types of fabric are used.

Description: They use short sleeve, straight sleeve and sleeveless dress.
Sleeve
c. Skirts:  
Fabric: Different types of fabric are used.

Description: Double skirts might have decorative effect created by looping or puffing up the outer layer. Skirts were trimmed with artificial flowers, ribbons, rosettes or lace.
Fig: Skirts were trimmed with artificial flower
4. Outdoor Garments:
Sleeve: Sleeved, fitted and unfitted coats of varying lengths.
Sleeve
Mantle: A cloak-like garment worn mainly by women as fashionable outerwear. Three-quarter length coat fitted to waist in front, full at the back, with long loose sleeves.
Mantle
Shawl-mantle: Loose cloak, reaching almost to the skirt hem.
Pic: Shawl mantle from 1869 
Talma-mantle: Full cloak with tasseled hood or flat collar.
Talma-mantle
5. Hair and Head Dress:
Hair: Women generally parted their hair in the center and drew it over the ears smoothly or in waves or plaits back of the head.
Pic: Women’s hair style in 1851,1860 
Head coverings: Small muslin “day caps” with long lappets or ribbons which were still worn by some older and married ladies. Hair nets, of colored silk snoods and bonnets, small hats, flat crowns continued to be worn.
Pic: Day cap or Indoor cap, 1866 and Bonnet, 1850.
Pic: Women’s hat in 1867, bonnet in 1864, Snood in 1864.
6. Foot Wears:
a. Stockings: A stocking (also known as hose, especially in a historical context) is a close-fitting, variously elastic garment covering the foot and lower part of the leg. Stockings vary in color, design and transparency. These were made of cotton or silk, with white the preferred color, but colored and plaid stocking were also worn. These were made of cotton or silk, with white the preferred color, but colored and plaid stocking were also worn.
Stockings
b. Shoes: For daytime square toes, low heels, rosette trimming over the toes in some styles. Evening shoes were often colored to match the gown.
Shoes
c. Boots: Boots were cut to above the ankle and closed with lacing, buttons or with elastic sides.
Boots
7. Accessories:
a. Gloves: Generally gloves were short and fitted for daytime. In the 1860s gloves were long and elbow length, were worn with evening dress.
Gloves
b. Cuffs: A cuff is an extra layer of fabric at the lower edge of the sleeve of a garment covering the arms. They were wide cuffs.
Cuffs
c. Hand carried accessories: Among the popular hand carried accessories were handkerchiefs, folding fans, small muffs, Mirror, parasol, Miser´s purse, decorative purse, etc.
Hand carried accessories
d. Jewelry: Bracelets, earrings, brooches (safetipin) and necklaces, stones, colored glass etc.
Jewelry
e. Cosmetics: Use of homemade Cosmetics.
Cosmetics